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He stared into emptiness for over half an hour, fairly still in both performances. His extensive work is grounded in concepts of humanismsocial philosophy and anthroposophy ; it culminates in his "extended definition of art" and the idea of social sculpture as a gesamtkunstwerkfor which he claimed a creative, participatory role in shaping society and politics. Emerging from either end of the blanket were two dead hares, often seen in his performances. The Twilight of the Idol,' Artforum, vol. Actions, Vitrines, Environments — Tate".

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This extended in with the performance Vitex Agnus Castus in Naples of combining female and male elements and evoking much else and that extended further with I Like America and America Likes Me to have a performance dialogue with the original energy of America represented by the endangered yet highly intelligent coyote.

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In his arms he cradled a dead hare, into whose ear he mumbled muffled noises as well as explanations of the drawings that lined the walls. During an Artform interview with Willoughby Sharp inBeuys added to his famous statement — "teaching is my greatest work of art" — that "the rest is the waste product, a demonstration. Archived from the original on 4 March What is not often included in the documentation of this piece is the subtitle that Beuys included: This work has been avoided in some discourse on Beuys because he has been put in artistically sacrosanct position and this is not in conformance with Beuys' other work. Archived from the original on 16 March

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But at the same time I also point out that the fatal character of the present can be overcome in the future. The performance was interrupted by a group of students, one of whom attacked Beuys, punching him in the face. Throughout the late s this renegade policy caused great institutional friction, which came to a head in October when Beuys was dismissed from his post. The s were marked by numerous major exhibitions throughout Europe and the United States. From an early age, Beuys displayed an interest in the natural sciences and had considered a career in medical studies, but in his last years of school—possibly influenced by pictures of Wilhelm Lehmbruck 's sculptures [5] —he had decided to become a sculptor himself.

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